AMERICAN PROMETHEUS: THE TRIUMPH AND TRAGEDY OF J. ROBERT OPPENHEIMER by Kai Bird; Martin Sherwin

As American moviegoers obsess over two films, “Barbie” and “Oppenheimer” I decided to view substance over pure glitz, and I guess entertainment.  On opening day, I went to see “Oppenheimer” and I was duly impressed with the acting, dialogue, and overall historical presentation.  The film was based on Kai Bird and Martin Sherwin’s 2005 biography AMERICAN PROMETHEUS: THE TRIUMPH AND TRAGEDY OF J. ROBERT OPPENHEIMER a book that stood tall on one of my bookcases for eighteen years – it was time to engage.

Kai Bird, a superb biographer with credits like THE CHAIRMAN, the life story of John J. McCloy, THE COLOR OF TRUTH, a dual biography of the McGeorge and William Bundy, and THE OUTLIER: THE UNFINISHED PRESIDENCY OF JIMMY CARTER tams with Martin Sherwin, who passed away in 2021 known for his seminal work on the atomic bomb in A WORLD DESTROYED: THE ATOMIC BOMB AND THE GRAND ALLIANCE in 1975 and updated in 2003, and GAMBLING WITH ARMAGEDDON: NUCLEAR ROULETTE FROM HIROSHIMA TO THE CUBAN MISSILE CRISIS in 2022.  Both authors are known for their assiduous research, thoughtful analysis, and command of historical sources and other materials.  Their joint effort supports that evaluation of their previous work and is certain to remain the most important study of Oppenheimer.

Katherine "Kitty" Oppenheimer (Images via Atomic Heritage Foundation, and LIFE Photo Collection/Google Arts and Culture)

(Kitty Oppenheimer, Peter, Toni, Robert)

Oppenheimer’s life is a dichotomy which the author’s describe as an irony of “a life devoted to social justice, rationality and science would become a metaphor for mass death beneath a mushroom cloud.”  In tracing the evolution of Robert’s life we discover an individual who was raised in a household that stressed fairness and integrity, a commitment to scientific learning and progress, teaching the next generation, and a belief that what he had achieved by overseeing the development of the atomic bomb was necessary because of the aegis of war and realized that history had changed leading to taking the necessary steps by sharing the science to prevent a nuclear arms race.  During Robert’s journey he became involved in left wing movements in the 1930s, particularly through speeches and donations involving republican forces in the Spanish Civil War, the unionization of teachers and professors at the University of California, Berkeley, and other causes which fostered the belief that he was a communist.  But in reality, Oppenheimer was nothing more than a typical fellow-traveling New Deal progressive, even though J. Edgar Hoover and the FBI did not think so and would hound him well into the 1950s.

The author’s monograph is all encompassing.  They provide insights into most aspects of his private life.  Their “microscope” encompasses friendships, colleagues, family life – particularly his marriage to Kitty.  They conclude that though they lacked parenting skills, suffered from personality defects they loved each other deeply and were mutually dependent.  It was clear Robert was a polymath whose knowledge of science, literature, poetry, and music dominated his interests.  Bird and Sherwin gather the most important aspects of Robert’s life in a well-written engrossing narrative interspersed with concrete analysis directed at the myths and inaccuracies that have been associated with his life.  To begin, there was no evidence that Robert was a member of the Communist Party no matter how hard the US Army, Intelligence agencies, politicians, and those jealous of his work tried to prove it.  He did associate with known communists, most importantly, Jean Tatlock, the love of his life who eventually committed suicide with whom he carried on long relationship even after he was married, and his brother Frank, also a physicist who was a party member who Robert would eventually bring to Los Alamos.  For Robert, his support rested on social causes and what he considered right and membership in the party by friends and colleagues was not of primary importance.

Photograph showing the head and shoulders of a man in a suit and tie

(Niels Bohr)

Bird and Sherwin do a credible job laying out the leftist’s ideological currents of the 1930s focusing on Haakem Chevalier, a French literature professor at Berkeley who was a committed communist who was suspected of being a conduit for scientific information to the Russians because of his friendship with Robert.  Chevalier and Tatlock were successful in moving Robert from theory to action when it came to social causes.

The names and beliefs of countless individuals associated with Robert come to the reader at a steady pace.  A roster of the most important and brilliant physicists of the age appears.  Most prominent was Neils Bohr, the Danish physicist who won the Nobel Prize in 1922 and was committed to an “open world” by sharing scientific discoveries to prevent future wars; the German scientist Werner Heisenberg who conducted atomic research for the Nazis;  Ernest Lawrence, an American nuclear physicist who won a Noble prize in 1939; Isidor I. Rabi, another American physicist who won a Nobel Prize in 1944; Edward Teller who evolved into a jealous enemy of Oppenheimer and after the war pushed for a hydrogen bomb and replacing Los Alamos with Livermore under his leadership; among many other scientists.  Apart from the scientific community the authors zero in on Robert’s relationship with General Leslie Groves who was in charge of the A-Bomb Project.  The two men generally liked each other as they believed they could outmaneuver each other.  Groves ruled by intimidation, Robert by his charismatic authority.  Groves questioned Robert’s administrative experience and whether he was a security risk, but he soon came to realize that he was the best person to oversee the project.

Theoretical physicist Dr. Edward Teller lecturing at the Miami-Dade Community College North Campus.

(Edward Teller)

The Groves-Oppenheimer relationship was emblematic of the relationship between the Army and the scientists as the nuclear physicists believed that the military’s security protocols hindered their work.  The Army bureaucracy was very suspicious of the leftists’ backgrounds of many of the scientists and it placed Robert and his colleagues under surveillance including illegal wiretaps throughout the period.  Other important non-scientific personalities included Lt. Colonel Boris Pash who was in charge of security at Los Alamos and did not trust Robert, and Lt. Col. John Landsdale, Groves’ security aide  who would come to accept Oppenheimer as a loyal American.

In relating their narrative, the authors integrate a great deal of dialogue taken from Robert’s papers, interviews, and other sources.  It provides the reader with a certain intimacy with the characters and one can develop a very close relationship with Oppenheimer as you read on.  In comparing the film to the book, it is obvious that a great deal of the actor’s dialogue and conversation comes directly from Bird and Sherwin’s research.   

99-1156 (untitled)

(Lewis Strauss)

A key theme that the authors develop is that once Robert is chosen as the director of a weapons laboratory he had to learn to integrate the diverse effort of the far-flung sites of the Manhattan Project and mold them into a usable atomic weapon.  He would develop skills he did not yet possess, deal with problems he could not imagine, develop work habits entirely at odds  with his previous lifestyle, and adjust to modes of behavior that were emotionally awkward and alien to his experience – Oppenheimer would remake a significant part of his personality, if not his intellect in a brief period of time to succeed.  Once Robert realized that the Nazis were working on the bomb it became his mission to develop one for the United States first.  Another theme that repeats throughout the book is that Robert’s statements, support for causes, association with colleagues would come back to haunt him after the war as the United states entered the McCarthy period of political paranoia when it came to communism.

To the author’s credit, there is no mathematics and little physics in the book which made it so readable.  Bird and Sherwin concentrate on an intimate portrayal of Oppenheimer.  As James Buchan wrote in his February 1, 2008, review of The Guardian; here, as it were, are the cocktails and wiretaps and love affairs of Oppenheimer’s existence, his looks and conversation, the way he smoked the cigarettes and pipe that killed him, his famous pork-pie hat and splayed walk, and all the tics and affectations that his students imitated, and the patriots and military men despised. It is as if these authors had gone back to James Boswell, who said of Dr Johnson: “Everything relative to so great a man is worth observing.”

Oppenheimer would become haunted by Hiroshima and came to believe that the Japanese were essentially defeated before the bomb was dropped.  After the war as Director of the Institute for Advanced Study at Princeton and as advisor to the new Atomic Energy Commission he tried to gain support for international control of nuclear weapons.  He tried to convince President Truman to support his efforts, but Truman labeled him “a crybaby.”  The military and Lewis Strauss, a former banker appointed by Truman to chair the Atomic Energy Commission hated Oppenheimer because of his opposition to plans to build a “super” or hydrogen bomb more powerful and lethal than anything developed previously.

General Leslie R. Groves

(General Leslie Groves)

The section of the book that runs about 70 pages provides insights into the political atmosphere in Washington in the early 1950s.  Strauss hated Oppenheimer for his suspected betrayals and his personality and in 1953 sought to revoke Robert’s security clearance.  The April 1954 Gray Board Hearing, brilliantly portrayed in the film, reflects how a man can lose his head and be totally disgraced by Strauss and Hoover who were convinced Oppenheimer was about to defect to the Soviet Union.  The authors are correct in pointing out that the persecution of Oppenheimer showed liberals that the rules of the national security game had changed.  “Now, even if the issue was not espionage, even if one’s loyalty was unquestioned, challenging the wisdom of America’s reliance on a nuclear arsenal was dangerous.  The Oppenheimer hearings thus represented a significant step in narrowing the public forum during the early cold war.”  The authors are correct when they argue further that Stalin had no designs on Western Europe after the war and once he died there was an opportunity to engage the Russians in arms control talks and prevent a hydrogen bomb fueled nuclear arms race.  However, the Eisenhower administration never tried to approach the Kremlin over arms limitation.

Bird and Sherwin worked on their account for almost thirty years analyzing Oppenheimer’s behavior from many vantage points.  What emerges is a biography that aligns its subject’s most significant decisions with his early education and his ultimate undoing.  The book succeeds in providing an understandable description of their subject even the paradoxical aspects of his personality.  As an aside, the movie was well done, but it does not compare to the book.  In closing it is clear that writing a biography that stresses the intellect of its subject, is an art form – these two gentlemen are masters!

Oppenheimer.

CALHOUN: AMERICAN HERETIC by Robert Elder

Oil on canvas painting of John C. Calhoun, perhaps in his fifties, black robe, full head of graying hair

(John C. Calhoun)

Today we live in a country where white supremacism is on the rise, descendants of former slave’s demand reparations, state legislatures try to obstruct the teaching of black history, the College Board gives in to extremists who did not like the content of Advanced Placement African history classes, the Supreme Court ends affirmative action for colleges, and state’s rights advocates seem to have the floor.  Three years short of our 250th anniversary, the United States finds itself with a bifurcated population politically, economically, and socially over issues of race.  The question is how did we get here, when did it originate, and who is responsible?  Historian Robert Elder tries to provide some of the historical background in his recent biography of the former 19th century South Carolina Senator, Vice President, and Secretary of State John C. Calhoun, in CALHOUN: AMERICAN HERETIC.  Some might argue how a man who was so impactful in the first half of the 19th century could still maintain such influence today.  The answer offered by Elder is clear.  Calhoun, a slave owner who argued that slavery was a positive good for America, furthered the doctrine of “state interposition” which for many became the legal argument for secession that led to the Civil War, and was the dominant spokesperson for the south, state’s rights, and the enslavement of blacks deserves a great deal of credit for setting the United States on the path it now finds itself confronting – a political climate that does not seem to have an exit ramp, with racial violence on the upswing.

Portrait of Henry Clay

(Henry Clay)

Elder’s monograph should be considered the definitive account of Calhoun’s life through the lens of a cultural and ideological biography.  The account encompasses all facets of Calhoun’s life and covers the most notable events of the first half of the 19th century.  In doing so Elder traces the intellectual development of his subject very carefully.  He pulls no punches as he outlines in detail how Calhoun went from a proponent of optimistic nationalism featuring what historians refer to as Henry Clay’s American system which consisted of internal improvements such as roads and canals linking the country’s economic development, a low tariff to promote trade, a National Bank, and the use of federal funds to assist the states to achieve his goals. 

As the War of 1812 approached Calhoun justified his views of federal power over the states as a necessity because of the exigencies of war.  Further his ideology was predicated on the concept of “honor,” particularly as it related to British impressment of American citizens.  Throughout his career honor was foremost in his mind especially in debates with colleagues and those who opposed his beliefs.  Elder has engaged in a prodigious amount of research that yields wonderful character studies of Calhoun’s contemporaries.  An interesting example of his commitment to his personal honor belief system is the author’s description of his disagreements reflected in debates with Virginia’s House  leader, John Randolph.  Calhoun as his wont was to employ a carefully crafted barrage of logic that demolished his opponent, raising points with surgical precision one after the other.  It was Calhoun’s strength of debate and putting pen to paper that allowed him to be the equal among the great figures of the period, like Henry Clay, Daniel Webster, among others.

The head and shoulders of a man with light skin and gray hair nearly fills this vertical portrait painting. Shown against a peanut-brown background, the man’s shoulders are angled to our left, and he looks off to our right with blue eyes. His gray hair curls around his forehead and over his ears. His bushy gray eyebrows gather over a furrowed brow, and sideburns grow down past his earlobes. His long, straight, slightly hooked nose and high cheekbones are set into his long, oval-shaped face. His pink lips are closed over a rounded chin, which is framed by vertical wrinkles. The white edge of a collar peeks above the high neck of a velvety black garment with wide lapels. The area beneath the man’s shoulders is a dark ivory color, perhaps indicating that this painting is unfinished.

(President Andrew Jackson)

However, by the late 1820s he argued that the tariff of 1828 was unconstitutional.  His solution,  referred to as the South Carolina Exposition and Protest, argued the concept of “nullification” whereby the states had the right to declare federal actions as “null and void.” His viewpoint was clear as the Tariff of 1816 was designed to provide revenue, not to encourage manufacturing.  The 1828 version was not a revenue measure.  At this point Calhoun was not calling for disunion, as Elder argues he was trying to find a way to preserve the structure of the Union consistent with the principle that power resided in the people, although the people of states.”  Calhoun would work creatively to find solutions for problems that arose within the system.

Calhoun was always a fervent defender of slavery though his justifications were part of an evolutionary process.  He always argued that treating slaves as property gave masters a financial interest in their well-being.  Calhoun was very wary of the British who ended the transatlantic slave trade in 1807 and ended slavery at home in 1833.  His concern rested on his fear that London would undermine slavery as the United States expanded and their machinations throughout the western hemisphere. He would consistently point out British hypocrisy especially its rule of India and of course with his Irish lineage his dislike of England was predictable.

Calhoun’s mindset could be very convoluted as he saw no connection between European feudalism with its lords and vassals and southern slaveholding society.  For Calhoun slavery was a “positive good” as Africans achieved a degree of civilization they had never previously attained.  Further, he argued that slaves were treated better than European laborers who existed among the poor houses of Europe.  Slavery created a stable society unlike the labor unrest in the north.  Finally, he stated slavery was “an institution uniquely suited – morally, economically, politically – to the conditions of the modern world.”  A believer in English philosopher, Jeremy Bentham’s utilitarianism, the greatest good for the greatest number, slavery fit perfectly as black inferiority and lack of progress were self-evident.  Calhoun could compromise at times (see the Missouri Compromise of 1820 or the Compromise of 1850), however, when he believed southern rights centering on slavery were threatened he would draw the line.

Portrait of Daniel Webster

(Daniel Webster)

Elder is correct when he argues that the second watershed in Calhoun’s development apart from 1828 occurred in 1836 as he finally came to reject Jeffersonian principles he once espoused.  First was conflict with Andrew Jackson who created “Pet Banks” that his administration could fund instead of a National Bank – this would foster the Panic of 1837, the worst depression in US history to that point as cotton prices were hit hard.  Further, the election of Martin Van Buren in 1836 reinforced Calhoun’s fears of hereditary monarchy.  The result Calhoun’s views of state’s rights solidified resulting in his vehement support for slavery.  These views were further exacerbated with the Texas annexation crisis, the Mexican War, and northern attempts to block or limit any expansion of slavery into territories acquired from the war.  For Calhoun legislation like the Wilmot Proviso which would not allow slavery in any territory obtained from Mexico pushed Calhoun over the edge arguing that if this went into effect disunion could only result.

(Floride Calhoun, wife of John C. Calhoun)

Elder’s portrayal is of a brilliant man driven by intensity and unrelenting ambition.  He believed that “Providence had placed him” on earth to complete his duty for his country.  Elder strongly suggests that as Calhoun’s political career evolved his moods began to darken as does his belief system.  Elder states he could be “noble, stubborn, suicidal or delusional,” all of which is supported by Calhoun’s own writings, speeches, political activity, and interaction with his contemporaries.  Had Calhoun simply argued that slavery was a necessary evil whose abolishment would mean disaster for the south instead of arguing in a very tortuous manner that it was a moral good, economically sound, and made the south more democratic, he might be viewed more positively by history.  However, his makeup would not allow this, and his defense of white racism, treatment of his slaves, and stubbornness are responsible for his reputation. 

In Elder’s telling, Calhoun loved his country and his region, and despite his flaws his impact on American history cannot be denied.  Elder’s work is one of objectivity that is well supported by the documentary evidence and should remain the most important biography of Calhoun for many years to come.

John C Calhoun by Mathew Brady, 1849. Some scholars think the senator and vice-president was Melville’s model for Captain Ahab.

(John C. Calhoun)

THE LEOPARD by Jo Nesbo

Close up big leopard isolated on black background Close up beautiful big leopard isolated on black background Leopard Stock Photo

A few days ago, I emerged from the roller coaster of highs and lows engendered by Jo Nesbo’s Nordic crime thriller, THE SNOWMAN.  After contemplating my next read I decided to continue the Harry Hole saga in the sequel, THE LEOPARD.  As I began reading I realized that I had returned to the roller coaster as Nesbo opens his novel with the strange death of Borgny Stem-Myhre who woke up from being sedated and realized she had a large metal ball with ridges in her mouth.  Warned not to pull the string attached to the ball, she did so anyway resulting in her death as she drowned in her own blood.

This is not an auspicious beginning as it produces a criminal case or cases that reflect a number of deaths, a sadistic psychotic killer, criminal justice politics, and a world-wide chase to end the murder spree.  Nebo’s title, THE LEOPARD refers to the stealthy tread of the killer in the book, but its literal meaning is an “armoured heart,” which refers to what Harry Hole learns from his experiences. 

Uganda, 2016: Uganda villagers work in gold mines under primitive conditions. Editorial Stock Photo

(Mining in the Congo)

The novel periodically crosses over to aspects of THE SNOWMAN as Hole remains in love with Rakel and her son Oleg, which prevents him from falling in love with a colleague.  He also visits the Snowman in prison who provides the necessary insights to assist Hole in solving the murder cases.  At the outset Hole, having not recovered from the brutality of his previous case, has left Oslo and was living in squalor in Hong Kong addicted to opium and his alcohol issues reemerged. He had borrowed money from Hermann Kluit, a rather unsavory character, to bet on the horses and once he becomes deep in debt, his loans are sold to the TRIAD who are after Hole.  The new murders bring Kaja Solness, a new Crime Squad officer to Hong Kong at the behest of Hole’s former boss, Gunnar Hagen.  At first Hole does not want to return, but once he learns his father is dying he becomes more accommodating, in addition to his issues with a Chinese crime syndicate.

Unlike other renditions of the Hole series the present one takes place in areas outside Norway; including the Congo, Rwanda, and Hong Kong.  Nesbo’s inclusion of African states allows him to integrate the abuse of indigenous mining interests and the horrible plight of boys who are captured by guerilla commanders who kill their families and enslave them as “soldiers” to carry out their bidding.

Map of Hong Kong's main areas. © China Discovery https://www.chinadiscovery.com/hongkong-tours/maps.html

A key element to the plot is the nasty competition between the Crime Squad and Kripo as to who has jurisdiction over murder cases.  Kripo Inspector Mikael Bellman hopes to squeeze out the Crime Squad through a series of underhanded and dangerous maneuvers and place himself in charge of all murder investigations.  By manipulating Hole’s drug issues, Bellman tries to use the Crime Squad detective through blackmail.  Bellman is a new character that Nesbo develops who cheats on his wife repeatedly, employs questionable investigative techniques, and bullies’ subordinates into doing his work.  He sidekick Truls Berntsen, nicknamed Beavis (as in Beavis and Buthead) a friend since childhood carries out acts of violence to gain acquiescence for whatever schemes Bellman is involved in.

Most of Nesbo’s characters carry a great deal of baggage, none more so than Hole.  Our noir hero is an alcoholic, uncompromising, anti-authority figure , whose personal hygiene habits are not to be admired.  Further, he tends to suffer from melancholy, intuition, deeply felt emotions, and a propensity toward unconventional approaches to crime, particularly serial killers.

Kaja Solness emerges as a very important character as at first she becomes Hole’s partner, Bellman’s lover, and eventually falls for Hole.  She replaces Katrine Bratt as Hole’s partner, but Bratt who is still recovering from her experiences with the Snowman has evolved into Hole’s computer expert and becomes a valuable asset in solving the murders. 

As is the case in Nesbo’s other novels, the reader will come to a part of the story and have a sigh of relief as it appears that the case is about to be solved.  This occurs a number of times with a series of characters, then lo and behold there is more work to be done.  A character who stands out is Tony Leike, a minor celebrity who had been a mercenary in South Africa who lives life on the edge and is in the midst of developing a mining source in the Congo and stands to make a fortune by marrying into a rich Norwegian family, the Galtung’s, to a woman he does not care for.

Compared to his other novels, THE LEOPARD feels a bit too drawn out as certain details that some might consider interesting could have been left out.  However, Hole overrides that concern as he continues to employ his unorthodox methods to solve a case where murders seem to multiply as the killer must get rid of any possible witness to what transpires at a cabin in northeastern Norway.  Nesbo creates imaginative ways for the murderer to lure his victims and in the end Hole will be targeted.  The key murder weapon is something referred to as “Leopold’s Apple,” a reference to Belgium’s 19th century imperialist King Leopold.  The item is shaped like an apple which “consisted of springs and needles using a ball containing a special alloy, coltan” and the balls are placed in the victim’s mouths to be set off by a string.

No one could deny Nesbo’s creativity in constructing the novel.  Whether it is the characters who range from psychopaths, dying fathers, love interests and affairs, and the construction of murder scenes, Nesbo exhibits quite an inventive mind,  For example, “The new serial killer is targeting people whose only connection is that for one night they met in a ski lodge. Their deaths are notably gruesome: Two women succumb to the torture instrument, a third is hanged and is so obese that her body separates from her head, and a young man is stuck to his bathtub by Super Glue and left to drown as the water rises.”*

Nesbo is a master at intensifying tension and drama which are key ingredients to any good crime thriller as he moves the goalposts repeatedly outpacing the reader’s ability to guess what will occur next.  The novel is an enjoyable ride, and I would recommend that you take part!

*Patrick Anderson. “Jo Nesbo’s THE LEOPARD, a new novel about Oslo detective Harry Hole, Washington Post, December 19, 2011.

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