THE MAN WHO RAN WASHINGTON: THE LIFE AND TIMES OF JAMES BAKER III by Peter Baker and Susan Glasser

(Secretary of State James Baker III and President George Herbert Walker Bush in 1990)

Peter Baker, the chief White House correspondent for the New York Times and Susan Glasser, a staff writer for The New Yorker have written an engrossing biography of James Baker III, a man whose impact from 1976 through the election of 2000 can not be denied.  The book’s range is impressive as the authors describe a childhood under the thumb of a father whose nickname was “the Warden.” As an adult we witness the death of his wife from cancer at a young age and a remarriage that merged two families resulting in eight children, a number of which experienced numerous problems including drugs and alcohol.  Baker would give up the practice of law in Texas and move on to a political education in Washington, D.C. that produced lessons that stressed how to accumulate power and brook no opposition as he managed political campaigns, served as Chief of Staff to Ronald Reagan as well as Treasury Secretary, and Secretary of State under George H. W. Bush.  Based on his resume it is obvious why the authors titled their book, THE MAN WHO RAN WASHINGTON: THE LIFE AND TIMES OF JAMES BAKER III.

Baker and Glasser employ the tools of investigative reporters in addition to those of a historian.  They have an excellent command of the written word and have the ability to present their narrative and analysis in a deeply thoughtful manner.  Baker is the author of books including DAYS OF FIRE: BUSH AND CHENEY IN THE WHITE HOUSE; THE BREACH: INSIDE THE IMPEACHMENT AND TRIAL OF WILLIAM JEEFERON CLINTON, and an excellent biography of Barack Obama entitled OBAMA: THE CALL OF HISTORY.  Glasser is the author of COVERING POLITICS IN POST TRUTH AMERICA,  and co-authored with Peter Baker, KREMLIN RISING: VLADIMIR PUTIN’S RUSSIA AND THE END OF REVOLUTION.  For those unfamiliar with the work of the author’s they are in for a treat.

Baker is one of the most consequential political figures of the last quarter of the 20th century.  He seems to have been involved in most issues and policy decisions of the period ranging from managing successful presidential campaigns, gaining passage of the Reagan tax cuts, the reunification of Germany, the end of the Soviet Union as we knew it, the removal of Saddam Hussein’s army from Kuwait, and heading the legal team that resulted in the election of George W. Bush as president in 2000.  Each of these topics is explored in depth as the authors delve into the personalities involved, their political agendas, and the historical impact of each decision as events played out. 

James and Mary Stuart Baker with their four boys in Houston in 1964.
(The Baker family before the death of his first wife)

Two themes that dominate the narrative and analysis is how Baker earned the nickname the “velvet hammer,” and his relationship with President George H.W. Bush.  The nickname itself as the authors develop is based on Baker’s approach to achieving power, control, and at times domination of any given situation.  He comes across as a smooth, sweet talking Texan, but in reality, he played hardball whenever he felt it was necessary.  He cut his teeth on the campaign trail, the in fighting that dominated the Reagan administration, and achieving legislative victories.  His approach in the domestic area can also be seen in his conduct of foreign policy as he sought to impose his will on those who opposed him and, in many cases, it seemed as if he was president, not the then occupant of the White House.

The second theme rests on Baker’s friendship with President Bush.  The two developed a decades long friendship from the time they met at a Houston Country Club in 1961.  Baker earned the imprimatur of Bush and when he spoke or negotiated everyone knew he was speaking for the President, or earlier the Vice-President.  The authors do an excellent job describing their relationship which rested on a similar outlook, a close personal bonding that witnessed numerous vacations together in addition to policy decisions.  Baker was artful in at times manipulating Bush to achieve his aims and periodically the president grew resentful of his friend to the point that Barbara Bush never really warmed up to Baker and at times did not trust him until later in life.

Baker did not become the ultimate insider because of any fervent ideology, though he described himself as a conservative Republican.  However, more so than anyone of his generation he figured out how to employ the levers of power.  Today, in an era of extreme partisanship, “deals” are seen as a sign of weakness, but for Baker compromise to achieve an end, diplomacy, and raw power were his mantra.  One of Baker’s talents rested on how he cultivated Congress and the press, which he did assiduously.  He realized that power was in part perception and he did more to create that perception than any of his peers.  


(Soviet Secretary General Mikhail Gorbachev (L) and Soviet Foreign Minister Eduard Shevardnadze in 1986 as they arrive in Iceland for talks with President Ronald Reagan)

As the Cold war concluded, Baker had the skill set that fit the era whether developing a close working relationship with Soviet Foreign Minister Edvard Shevardnadze or initiating bureaucratic intrigue to achieve a domestic goal in the Reagan and Bush administrations.  When Baker made a promise, he earned the reputation of being able to deliver because of his relationship with Reagan and Bush and his own negotiating abilities. Never in American history did a president and Secretary of State enjoy a genuine friendship before entering office.  Baker learned to operate in a political environment by employing his skill set, a skill set that was highly successful and current politicians would do very well if they would emulate him as he is best described by the authors as the “un-Trump.”

As successful as Baker was as a political insider and practitioner of power the authors develop his family history which is not one that one should emulate. He left it to his second wife to take care of the family as he worked twelve hours a day on domestic issues and once, he became America’s chief diplomat traveling thousands of miles each year.  The children of both marriages had difficulties integrating and there were numerous conflicts which would lead to difficult issues that needed to be faced, and for the most part he was absent.

The authors develop numerous scenarios that reflect Baker’s talents as a politician and negotiator.  He believed that there was no way to achieve 100% of one’s goals in any negotiation and was happy to obtain 75% or any percentage that he believed would deliver most of what he hoped to achieve.  This can be seen during the Reagan administration when he outmaneuvered the likes of Alexander Haig and Edward Meese on numerous occasions, as he worked with Democrats to save Social Security when Republicans were obstinate, or negotiating the Reagan tax cut with Democratic Speaker Tip O’Neill.  In all areas Baker seemed to have a superb instinct at “self-preservation,” be it dealing with the stock market crash in October 1987, his reaction to the Tiananmen Square massacre in China, or leaving US Ambassador to Iraq April Glaspie out to dry in the lead up to war in the Persian Gulf in 1991.  The authors point out that Baker was a realist and argued against the ideologues in the Reagan administration particularly as it related to  policy in Central America as he did his best to avoid the stain of Iran-Contra, again his antenna knew when to back off or proceed with a certain policy – it seemed he always knew which way the wind was blowing. 

baker glasser
(The authors)

Baker’s pragmatic and realistic approach is also seen as he worked to allow Mikhail Gorbachev a semblance of comfort as his country was collapsing.  Baker realized that the Soviet President had to deal with his own hard liners in the Kremlin and as he was wont to do would make subtle agreements behind the scenes that never became public.  Baker had an extremely hard edge to him as the Israeli government realized after the United States and its coalition removed Iraqi troops from Kuwait in 1991.  Baker had used the promise of negotiations between Israel and the Palestinians as a lure to convince Egypt, Syria, and Saudi Arabia to join his coalition against Saddam.  After the war Baker pressured Israeli Prime Minster Yitzchak Shamir, who he disliked intensely withholding promised funding and loans to finance the hundreds of thousand of Soviet Jews who were immigrating to Israel at the time.  The end result was the Madrid Peace Conference which later impacted the signing of the Oslo Accords. 

Baker long sought to be considered a statesman not just a fixer or dealmaker.  However, the authors argue that he had no grand plan domestically or in foreign policy, but he had the knack of bringing people together and finding pragmatic ways to paper over disagreements.  The end result, no matter what Baker engaged in, solutions resulted.  Part of this success rests with a group of individuals that Baker and Glasser label the “plug-in unit,” a small group of aids that worked with him in the Reagan and Bush administrations.  They included Margaret Tutwiler, who handled the press and Janet Mullins, Robert Zoellick and Robert Kimmitt who handled policy.  Interestingly, the authors point out that though they worked closely together for years, Baker showed no interest in them as people and maintained a personal distance even among his most loyal staff.

Baker’s achievements did not come without some “black eyes.”  Baker would work with Lee Atwater a Republican firebrand who did not find a dirty trick that did not interest him.  The authors stress his role in the Willie Horton commercials in the 1988 presidential campaign against Michael Dukakis and Baker seemed to have no problem with it, in addition to his failures in dealing with the breakup of Yugoslavia and the ethnic and religious violence that ensued.  His approach in 2000 is typical.  When Al Gore’s spokesperson Warren Christopher proposed that the two sides work out a solution, Baker’s position was clear, no negotiations, Bush was president according to the Supreme Court.

Baker and Glasser had unfettered access to Baker and many of the key characters from the period.  Their numerous interviews will not be repeated down the road by future historians, and their insider access and command of primary and secondary materials is evident.  The authors do not fall into the trap of hagiography and have written a superb book that is easily the seminal work on James Baker III, and probably will remain so for years to come.

George Bush with James Baker
(James Baker III and George Herbert Walker Bush)

THE CLIFTON CHRONICLES, a seven book series by Jeffrey Archer (a synopsis)



Jeffrey Archer (Image: Jeffrey Archer/via Facebook)

(Author, Jeffrey Archer)

Recently I had the pleasure of spending a few weeks with two English families; the Barrington’s and the Clifton’s.  The family members form the core of English novelist Jeffrey Archer’s seven volume CLIFTON CHRONICLES mostly set in Bristol and London from the immediate post World War I period through the early 1990s.  For this reviewer, Archer’s compilation served as a wonderful distraction to the COVID-19 19 pandemic and other disconcerting events that have been ever present.  The series focuses on family values, a host of interesting characters, moral and immoral, and repeated plot twists and turns beginning with volume one, ONLY TIME WILL TELL and concluding with volume seven, THIS WAS A MAN.

Archer employs the literary technique of allowing his major characters to tell their side of the story as it unfolds.  Each character recounts how they see events and Archer allows their individual stories which are different to eventually come together.  Archer recapitulates important details from each novel allowing the reader to explore each novel separately, but I would recommend that the story be read from volume one onward.  Each section zeroes on one character in which Maise Clifton, Harry and Emma Clifton, Sebastian Clifton, Jessica Giles Barrington, Lady Virginia Fenwick, all play major roles. 

The characters run the gamut from those mentioned to Sir Alan Redmayne a cabinet secretary in charge of MI6 reflecting Archer’s integration of espionage into his storyline along with a possible “sparrow” or Russian double agent Karin Brandt who Giles Barrington falls in love with.  Baroness Cynthia Forbes-Watson, an eighty year old retired MI6 agent.  Cedric Hardcastle and his son Arnold, the Barrington Shipping Company lawyer play significant roles as does Hakim Bishara, a Turkish banker who works with Sebastian Clifton to head the Farthings Kaufman bank.  Aaron Guizburg and his father are Harry Clifton’s publishers at Viking Press, and Anatoly Babakov who has written UNCLE JOE telling the truth about Stalin finds himself in the Soviet Gulag allowing Harry Clifton to rally world opinion to free him. 

There are a number of individuals who engage in periodic corporate machinations from trying to  take over Barrington Shipping, Farthings Kaufman Bank and Mellor Travel.  We meet Adrian Sloane, Jim Knowles, and Desmond Mellor who form a troika of undesirables.  Adding to the list is Conrad Sorkin an international gangster.  Historical figures abound as Margaret Thatcher plays a prominent role befriending Emma Clifton.  Other Prime Ministers who appear include James Callaghan, Ted Heath, and Harold Wilson; in addition to politicians like Michael Foot and Dennis Healy who have a tremendous impact on the political career of Giles Barrington.

The one character who seems to pop up all the time is Lady Virginia Fenwick, Giles Barrington’s ex-spouse.  She is a schemer out for revenge against anything Barrington or Clifton.  She is involved in assorted plots to destroy both families and secure her wealth.  My favorite is how she convinces the Duke of Hertford, a recent widow to be his wife.  But she is also involved with the “undesirables” already described and their numerous corporate shenanigans.

Archer plays close attention to British politics in the House of Commons and House of Lords in each novel as the political careers of Giles Barrington and Emma Clifton evolve.  Archer is deeply knowledgeable about British elections and the legislative process as he weaves them into his story.  Apart from politics and corporate issues Archer integrates a number of ancillary situations involving the Clifton family including; Jessica, a precocious young artist; the rise of Sebastian to head the Farthings Kaufman Bank; Harry’s arrest in the Soviet Union working to free Anatoly Babakov; and Emma’s rise to head Barrington Shipping, and becoming her  Undersecretary of Health in the House of Lords under Margaret Thatcher.

There are numerous other characters who interact with both families which reflect Archer’s command of history and new events.  Archer does a wonderful job in character development and presents the chronological growth of each person and their impact on others. Archer is the master of the literary cliffhanger as at the end of each novel a situation is created that is designed to cajole the reader on to the next volume.

At a time of pandemic Archer’s  volumes and the series in general is a wonderful escape from quarantine and anxiety.  If it is prose one is looking for, Archer has his moments, but most often the writing is somewhat pedestrian with a touch of irony and humor.  Whether he is describing speeches in the House of Lords; the interior of Buckingham Palace; the boardroom or the visitor room of a prison, Archer’s writing is authentic.  When the pandemic ends and you are once again off to vacation or just the beach Archer’s work will entertain as you while away the hours dealing with his numerous subterfuges and double-crosses, as in the end he will bring his series to a deeply emotional conclusion.

Lord Archer claims to earn £10,000 an hour from his books, rising at 6am to write by hand
(Author, Jeffrey Archer)

THIS WAS A MAN by Jeffrey Archer

MPs are being asked to sign an Early Day Motion calling for further research
(English House of Parliament)

In the final installment of his CLIFTON CHRONICLES, THIS WAS A MAN Jeffrey Archer has to resolve what has happened to Karin Brandt, Giles Barrington’s spouse but also a double agent that the Russians have uncovered.  Her handler has led her into the woods and her plight along with Emma Clifton’s quest to learn how her husband Harry’s father died after World War I are the launching points that after five hundred pages brings Archer’s seven volume family saga to an end. 

Overall, the entire series was a worthwhile read, but the last book at times does not measure up to some of the earlier ones.  First, how many iterations of Lady Virginia Fenwick can one absorb as like a weed she continues to sprout her strategies to acquire wealth in exchange for nothing no matter how much poison she emits and has dumped on her.  The entire episode dealing with the widowed Duke of Hertford is a bit much as is her relationship with Desmond Mellor and attempts to control Mellor Travel.  Second, many of the scenarios are a bit contrived as is witnessed by the relationship between Paulo Reinaldo, a Brazilian playboy and pseudo art student and Jessica Clifton, Samantha and Sebastian Clifton’s daughter.  When the relationship explodes in newspapers, of course Aunt Grace rescues her from being expelled from the Slade School of Fine Arts.  Interestingly, Lady Virginia even plays a role in this situation!

Margaret Thatcher
(Former English Prime Minister Margaret Thatcher)

Apart from scenes like these there are a number of plot lines that are absorbing and fit Archer’s creation of a cliff hanger at the conclusion of each section.  Emma’s relationship with the new Prime Minister Margaret Thatcher and appointment as Undersecretary of Health in the House of Lords is interesting as is Archer’s description of English politics as the Conservative Tories replace Labour at 10 Downing Street.  The plight of Freddie, the supposed son of Lady Virginia, soon to be adopted by Giles and Kristin Barrington with the actions of Elly May Grant in the background trying to recoup the money that Lady Virginia coerced from her then fiancée Cyrus Grant is eye opening.  Further we return to the machinations of Desmond Mellor, Adrian Stone and Jim Knowles as they try to take over Farthings Kaufman Bank with a new villain, Conrad Sorkin introduced as they all vie to seize control of Mellor Travel.  Interestingly, a number of these characters wind up dead.  This convoluted web is important and here Archer deftly weaves his conspiratorial magic and even has time to follow the ups and downs of Giles Barrington’s political career.  There are numerous subplots that will maintain the reader’s attention, but again, Lady Virginia seems to be everywhere with hit men, corporate espionage, politicians like Thatcher, Neil Kinnock, Michael Foot, and Dennis Healy ever present.

Emma Clifton remains a dominant character as is her growth as a businesswoman and a person who does not tolerate the picadilloes of others.  The evolution of Harry Clifton as a writer from his William Warwick series to one of substance is important as is the growth of Emma and Harry’s son Sebastian who moves seamlessly through the London banking scene.  Other characters who reappear include Griff Haskins, Giles’ campaign manager, Hakim Bishara, Sebastian’s corporate ally, in addition to the cast of low life’s mentioned earlier. Newer members of the cast include Kelly Mellor who is able to outwit everyone to control her father’s company, Conrad Sorkin, an international crook, and the Brazilian lover, Paulo Reinaldo who seduces Jessica away from her art career for a period of time.

In November, 1989, East German students sit atop the Berlin Wall at the Brandenburg Gate in front of border guards. The destruction of the once-hated wall signaled the end of a divided Germany.
(The end of the Berlin Wall, 1989)

Perhaps the two highlights of the novel center around the debate in the House of Lords between brother and sister, Giles representing the Labour Party, and Emma, the Tories.  Second is the eulogy presented by Giles for his friend since childhood that encompasses the type of character Archer developed in Harry Clifton and the extraordinary life that he lived.  Archer has the ability to create mundane scenes, but also the most intense and absorbing. 

At a time of pandemic Archer’s final volume and the series in general is a wonderful escape from quarantine and anxiety.  If it is prose one is looking for, Archer has his moments, but most often the writing is somewhat pedestrian with a touch of irony and humor.  The book is full of sometimes totally unexpected twists but is written with authenticity, including a knowledge of cricket that should impress the reader.  Whether he is describing speeches in the House of Lords; the interior of Buckingham Palace; the boardroom or the visitor room of a prison, Archer is writing about what he knows.  If there is a dominant theme in the series, it is the strength of family with the Barrington’s and Clifton’s reflecting their moral values and, in most cases, the “good guys” come out on top.  When the pandemic ends and you are once again off to vacation or just the beach Archer’s work will enhance as you while away the hours dealing with numerous subterfuges and double-crosses, as he brings his series to a deeply emotional conclusion.

COMETH THE HOUR by Jeffrey Archer

A golden medallion with an embossed image of Alfred Nobel facing left in profile. To the left of the man is the text "ALFR•" then "NOBEL", and on the right, the text (smaller) "NAT•" then "MDCCCXXXIII" above, followed by (smaller) "OB•" then "MDCCCXCVI" below.
(Nobel Prize)

Like links in a chain, Jeffrey Archer continues his CLIFTON CHRONICLES leaving the reader wondering what the results of Lady Virginia Fenwick’s libel charge against Emma Clinton will be.  The jury is about to return a verdict when the judge issues permission for Major Alex Fisher’s suicide note to be read to the court.  In COMETH THE HOUR the letter is read to the court and its implications for all involved are immediate.  With this opening Archer, as per usual has piqued the reader’s interest and they will begin a five hundred page voyage that will take them through the labyrinth of the Barrington family dealings, including the Farthing Bank, Giles’ quest to rescue Karin Pengeller, his recent translator in East Berlin, Harry Clinton’s quest to obtain Anatoly Babakov’s freedom as he languishes in the Soviet Gulag, and the integration of corporate and state sponsored espionage to his multiple plot lines.

The sixth installment in the CLIFTON CHRONICLES is structured as the previous five with each section being directed by one of the major characters.  In COMETH THE HOUR, they include Harry and Emma Clinton, Giles Barrington, Lady Virginia Fenwick, Sebastian Clifton, Maise Clinton, Harry’s mother, and Turkish financier, Hakim Bishara.  Each character has their own agenda which of course brings about conflict with others. 

Performers posing as US soldiers at Checkpoint Charlie - 2018 photo
(Checkpoint Charlie, East and WestBerlin)

As I read the novel at first I was a little disappointed, but then Archer ramped up the plot.  There are a number of storylines that emerge.  First, Harry Clifton’s publisher, Aaron Guinzburg faces a takeover from a friend with unexpected consequences.  Second, Sebastian Clifton’s love life.  It seems he has given up on Samantha Sullivan and has turned to Priya Ghuman, but that relationship has an unfortunate end allowing Sebastian to focus on Samantha and their daughter Jessica, a rather precocious eleven year old once again.  Third, Giles Barrington has his own relationship issues.  He has fallen for Karin Pengelly an East German translator and he works diligently to arrange her escape from behind the iron curtain.  Once this is achieved, we learn the truth about Katrin Pengelly, a.k.a. Karin Brandt, a Russian “sparrow.”  Once the “love issues” are seemingly resolved, Archer becomes more serious as the fourth storyline emerges as Adrian Sloan and Desmond Mellor continue their attempts to take over Farthing Bank, this time trying to frame Hakim Bishara and other machinations.  Lastly, Lady Virginia Fenwick continues her attempts to obtain the wealth to live a “lifestyle she has grown accustomed to.”  She will fabricate a number of situations from pregnancy to other forms of fraud. 

Archer continues to create a number of interesting new characters.  Chief among them are Baroness Cynthia Forbes-Watson who works for MI6; Chief Inspector Barry Hammond, a former cop who is hired to save Bishara; Mai Ling, an ex-cop who as a masseur performs some interesting legal work, Ellie May, the wife of Cyrus Grant of Louisiana who works to undo Lady Virginia’s latest fraud, among others.  Historical figures continue to make cameo appearances.  The most consequential are future Prime Minister Margaret Thatcher; West German Foreign Minister Walter Scheel; and British Prime Ministers Ted Heath and James Callaghan.

Archer explores a number of cultural issues particularly as it relates to Hindu and Christian views of marriage very nicely.  However, at times Archer creates scenarios that are a bit farfetched, i.e., Lady Virginia’s attempt to fake her pregnancy and crash the wedding of an unsuspecting Louisiana millionaire.  There are a number of scenes that are quite entertaining particularly Harry Clifton’s interview on what is clearly the Today Show with Matt Lauer, though Archer has renamed the arrogant host as Matt Jacobs who unsuccessfully tries to trap Clifton and question the authenticity of Anatoly Babakov’s book UNCLE JOE.  It is clear that Archer at times has a deft touch with humor, but also at times he does create situations that are hard to fathom.


A photo of Gulag prisoners in Perm (undated).
(Soviet Gulag)

As in the other installments of the CLIFTON CHRONICLES English parliamentary politics and elections are ever present.  The career of Giles Barrington is portrayed, and the reader continues to be exposed to issues that confront parliament and the precarious nature of British politics as elections seem to come one after another without the requisite time frame between them.  In doing so Archer’s command of British history comes to the fore.

Archer continues his storytelling magic and character development.  However, if one is jumping into the CHRONICLES with the sixth book it might be confusing so I would suggest reading the series from the outset.  Archer has created a complex, involved and far-arching tale of complicated family tie and his trademark twists and turns will keep the reader totally involved in the story, though it seems it is less gripping than previous volumes.  Despite this slight drawback, Archer of course leaves the reader hanging as the book ends and makes one want to read the concluding volume, THIS WAS A MAN.

Alfred Nobel and the Nobel Prizes by  Nils K Stahle - 1st Edition; 1st Printing - 1960 - from S. Howlett-West Books (member of ABAA & ILAB) (SKU: 29423)

MIGHTIER THAN THE SWORD by Jeffrey Archer

Moscow River and Kremlin
(The Kremlin, Moscow, Rusia)

“Gotcha!” should be novelist Jeffrey Archer’s mantra.  The author of numerous historical fiction thrillers includes the fifth book in the CLIFTON CHRONICLES, MIGHTIER THAN THE SWORD which grabs the reader from the get-go and does not let them alone until another cliff hanger has been brought to conclusion, or as Archer usually is able to achieve, the ending brings the reader to call for the next installment.  In the present case we wonder what is the result of the IRA bomb that has exploded on the maiden voyage of Barrington Shipping’s first cruise ship, the MV Buckingham.

In true Archer fashion the novel has a number of storylines that seems disparate, but as in other books they form links that normally bring them together before the story is brought to fruition.  In MIGHTIER THAN THE SWORD Archer continues a series of plot lines from BE CAREFUL WHAT YOU WISH FOR in addition to creating new ones.  First, is the dilemma that Emma Barrington, as chair of Barrington Shipping finds herself as she does not want to let the public know about the IRA bomb explosion on the maiden voyage of the Buckingham for fear of what it might do to the company’s profits and reputation.  Second, is the ongoing war perpetrated by Lady Virginia Fenwick who has sued Emma for libel, but more so is her attempt to take over Farthing Bank and destroy the Barrington family a situation that has been made easier with the death of Cedric Hardcastle. The only roadblock seems to be Sebastian Clifton’s attempt to try and purchase enough stock to gain a seat on the Farthing Bank’s board.  Third, and a new area for the reader to explore is the plight of Anatoly Babakov, Joseph Stalin’s former translator who has written a book entitled, UNCLE JOE that purports to tell the truth about Stalin’s murderous reign.  He has been arrested and sent into exile in Siberia and his wife is trying to get Harry Clifton to go to Moscow where she has hidden the manuscript and bring it to the west for publication.  Fourth, is the role played by Adrian Sloan, who had been Sebastian’s immediate boss at Farthing Bank who has his own agenda to head the bank’s board, destroy the Barrington’s and make a large profit over his financial manipulations.  Not surprisingly he is working with Lady Virginia as they seem to have a community of fate in dealing with the Barrington’s.  Lastly, Sebastian’s love for Samantha Sullivan who has turned away from him remains constant.

(Photo: Jeffrey Archer/ Facebook)
(Jeffrey Archer)

Archer brings back Major Alex Fisher whose vendetta against the Barrington’s has not been satiated.  Robert Bingham returns with his wife Priscilla who cannot be trusted, Sir Alan Redmayne, a Cabinet Secretary involved in British intelligence, and the entire Barrington family and their associates.  A few new characters are introduced who play major roles.  Saul Kaufman, the father of Sebastian’s friend who is a rich banker and is trying to assist Sebastian.  Desmond Mellor, a dissatisfied Barrington Shipping board member who wants to replace Emma.  Turkish financier Hakim Bishara joins the fray.  Karin Pengelly, an East German translator who Giles Barrington meets on a foreign ministry trip to East Berlin who will cause Giles to resign from Harold Wilson’s cabinet,  Maurice Swan, an educator that Sebastian needs to do right by, and Anatoly Babakov’s wife.

Archer introduces the reader to the structure of the Soviet government and how they deal with dissidents under Lenoid Brezhnev; the issue of East Berlin, the Stasi secret police, and the repression of East Germany; in an addition to the politics of British parliamentary elections.  In all cases Archer continues his excellent command of historical events and personalities, including appearances by Prime Ministers Harold MacMillan and Harold Wilson, along with the British Ambassador to the Soviet Union, Sir Humphrey Trevelyan.

Stalin photo portrait poster
(Joseph Stalin)

One of the major highlights of the novel is how Archer juxtaposes Harry’s show trial in Leningrad after being caught trying to smuggle Babakov’s manuscript out of Russia and the libel trial of Emma at the hands of Lady Virginia.  Archer’s sarcasm and sense of humor are on full display as is the impact of each event on the course of the novel.   Other interesting aspects of the book that Archer unveils is the role that Harry’s photographic memory plays as the story concludes and his rendition of how Stalin died.

In Archer’s previous novels the major characters usually land on their feet, in the present instance that result is not as clear cut.  But what is clear is that the reader will experience Archer’s trademark twist and turns through a series of plot changes that will bring the reader to the edge of their seats, and as per usual the book will end with a dramatic segway to the next volume in the CLIFTON CHRONICLES, COMETH THE HOURS.

The Moscow Kremlin
(The Kremlin, Moscow, Russia)

BE CAREFUL WHAT YOU WISH FOR by Jeffrey Archer

Cruise ship in caribbean sea : Stock Photo

From Jeffrey Archer’s perspective why change an approach that seems to work very nicely.  The approach I am speaking off is his storytelling ability that produces a wonderful family saga in the CLIFTON CHRONICLES with each volume ending in a cliff hanger that gently encourages the reader to pick up the next installment.  In the present instance BEST KEPT SECRET ended with an automobile accident that resulted in the death of one of the passengers, but we are left wondering if Harry and Emma’s son, Sebastian has survived.  In the next novel in the series BE CAREFUL WHAT YOU WISH FOR, Archer’s plot revolves around the Barrington family and the machinations of Don Pedro Martinez, an international criminal who blames Harry Clifton for the death of his son, and Alex Fisher who attended boarding school with Giles Barrington and continues to seek revenge against Giles and his family dating back to their days in boarding school and the loss of a recent parliamentary election.

As is the case in the first iterations of the Clifton’s, Archer segments the story into chapters that focus on a given character and allows them to tell the story from their perspective.  Archer begins in the late 1950s with Harry and Emma taking the lead and moves on to Don Pedro Martinez, Cedric Hardcastle, a bluff Yorkshireman and dowdy old banker who plays a significant role, Major Alex Fisher, Giles Barrington, Sebastian and Jessica Clifton, and Don Pedro’s son Diego.  Each character has their own agenda and through a series of complex machinations Archer builds disparate segments of the story which come together in a rather dramatic fashion.

Bristol Harbour
(Bristol, England)

Aside from Hardcastle, there are a number of impactful characters like Robert Bingham, the fish paste king; Clive Bingham his son who wants to marry Jessica; Cabinet Secretary Alan Redmayne; Samantha Sullivan who has fallen in love with Sebastian; Susie Lampton, Alex Fisher’s wife who is somewhat of a double crosser; Karl Otto Lunsdorf, a former member of the Nazi SS and Martinez’s righthand man, among others.  Throughout the character development process, it seems that villains abound!  Historical characters and events make their appearance on a regular basis including a cameo by Nazi hunter Simon Wiesenthal and British Labour leader and future Prime Minister Harold Wilson.

The key addition that Archer makes is Cedric Hardcastle who is an example of how the author is able to shift the focus of the novel on a dime, a process that he repeats often.  Hardcastle is the Chairman of the Farthing Bank and he will join forces with the Barrington’s to try and thwart Don Pedro Martinez and his sons.  Martinez will never get over the death of his son despite the fact it is his own fault and seeks revenge against any and all Barrington’s.  As the story evolves Archer adds a new element corporate greed through stock manipulation and other machinations.  The British intelligence service is continually active in the novel as Sir Alan contemplates assassinating Martinez and is heavily involved in thwarting the Argentinian kingpin who likes to pose as an English gentleman.  Further Archer integrates the Irish Republican Army into the storyline as they with Martinez in toe to do as much harm to Britain as possible.  Another component that stands out is Jessica’s lineage as her adopted parents Harry and Emma have not made her aware of who her parents were which leads to complications.

Jeffrey Archer
(Author, Jeffrey Archer)

Archer has the knack of creating scenes where the expected result becomes the unexpected, i.e., the Barrington Shipping Company’s Board elections to replace Ross Buckingham by Emma when Susan Fisher surprises everyone.  Archer also continues to present an unremarkable prose, but one cannot take away from him his ability to surprise the reader over and over.  As per usual the novel ends in a cliffhanger with the reader calling for a fifth volume of the CLIFTON CHRONICLES which happens to be MIGHTIER THAN THE SWORD.

Aerial View Of Cruise Ship Sailing On Sea : Stock Photo

BEST KEPT SECRET by Jeffrey Archer

GREAT BRITAIN ENGLAND 5 POUNDS 2002 P 391 b UNC

Even before a person begins to read Jeffrey Archer’s third installment of the CLIFTON CHRONICLES, BEST KEPT SECRET he already has the reader in the palm of his hands.  The previous novel, THE SINS OF THE FATHER ends with a voting deadlock in the House of Lords with the Lord Chancellor set to cast the deciding vote that will determine who will be the heir to the Barrington family title and fortune and whether Harry Clifton and Emma Barrington are half sister and brother.  Clifton wants no part of the Barrington wealth and just wants to make Emma his bride and would be overjoyed if the Lord Chancellor would bequeath the Barrington family title and all of its trappings to Emma’s brother Giles.

Once the final announcement is made Archer reverts to the approach, he employed in the first two novels in the series.  Archer allows the major characters to explore their aspirations, beliefs, and identity separately, at times crossing each other’s paths chronologically.  In the present scenario Archer relies upon Harry Clifton, Emma Barrington, Sebastian Clifton, Giles Barrington, and Alex Fisher to narrate the novel as each individual puts forth their own agenda. 

Docks, Bristol, England, UK, Europe Stock Photo

(Bristol, England dock)

Apart from the returning characters just mentioned there are a number of new ones that Archer introduces.  The most important of which are Lady Virginia Fenwick, a rather stuck up, snobby individual who has captured Giles’ emotions and will lead him down a path he will regret; and Don Pedro Martinez, a nefarious character engaged in counterfeiting among other illegal activities.   Others who appear are Jessica the daughter of Giles’ father and his mistress who is adopted by Emma, her half sister and Harry Clifton; Sebastian Clifton, the precocious and rambunctious son of Emma and Harry Clifton, Gwyneth Hughes, Giles’ girlfriend, Ross Buchanan, Giles’ financial advisor, Mrs. Tibbet, who ran a small London hotel; Bruno Martinez, Don Pedro’s son, among others.

Alex Fisher will emerge as a key player as Archer develops his plot.  Fisher has been a thorn in the side of Harry and Giles since they all attended the same boarding school.  At Tobruk when Giles earned military honors, Fisher felt he was not rewarded and grew extremely jealous.  Finally, he will hook up with Lady Virginia to try and wreak havoc with the Barrington family and businesses.

Archer does a wonderful job making the past prologue as in the case of Lady Virginia, “the quintessential bitch” with a hearing over Giles’ mother, Elizabeth’s will that is contested.  The arguments and issues involved encompass a host of issues and relationships that are very entertaining.  The Parliamentary election campaign between Giles and Fisher takes the reader inside the English elective process and reflects a number of strategies on the part of both candidates and their supporters.

City skyline of Buenos Aires with urban buildings
(Buenos Aires, Argentina)

Archer does introduce a number of narcissistic and immoral characters as the plot develops, but he does allow for a number of relationships to be reestablished once the truth of certain machinations emerges.  Though this is important, Archer is rather simplistic in his approach at times and this aspect could have been better developed.  In his fast paced narrative Archer introduces a new angle that did not appear in the first two novels, corporate intrigue as Lady Virginia and Alex Fisher try and take over Barrington Shipping that brings a certain amount of drama to the story.

Sebastian inadvertently emerges as a major character as he becomes involved in a scheme developed by Don Pedro Martinez to smuggle millions of counterfeit pounds into England.  Though this aspect of the novel creates a sense of drama it is an abrupt shift in the course of the novel that does not transition well from the rest of the story.  Further, the absence of Bruno in the process makes little sense and Archer seems to force a shift of the novel to Sebastian’s role.

Archer provides an almost pitch-perfect continuation of the Clifton family saga; his shrewd twists are addictive from the outset and as usual he ends the novel as a cliff hanger leaving the reader to wonder how things will work themselves out.  The story continues in the next installment, BE CAREFUL WHAT YOU WISH FOR.

GREAT BRITAIN ENGLAND 5 POUNDS 2002 P 391 b UNC