To begin I would like to thank the representative from St. Martin’s Press for contacting me and asking me to review John Hart’s latest novel, THE UNWILLING before publication. I found the novel to be an exceptional read with an intricate storyline, interesting characters, and a series of themes that directly and indirectly touch a range of human emotions. The book should measure up to Hart’s previous thrillers which have won numerous awards, particularly two consecutive Edgar Awards.
The evocative novel begins with the release of Jason French from prison after serving two and a half years that followed three tours of duty in Vietnam. Jason has been linked to drugs, guns, and rumor has it he killed 29 people in the war and possibly two more while at Lanesworth State Prison. Jason is a broken man who comes from a somewhat dysfunctional family with an older brother Robert, the family favorite killed at Ke Sanh, and a younger brother, Gibson or “Gibby” who idolizes his brothers but has been kept in a protective bubble by his parents, particularly by his mother who is still grieving the loss of her first son and shuns Jason. William French, the father is a detective for the Charlotte Police Department and is doing his best to maintain some sort of normality and in the end save his family. He loves his sons equally but was distraught over his inability to communicate with his middle son who he feels he no longer knows. He and his wife try to keep Gibby away from his brother, creating further resentment driving them closer together.
(Author, John Hart)
The powerful novel explores the depths of human depravity. These depths are a function of many things, but foremost in Hart’s mind is the Vietnam War and how it affected Jason French and turned him into something his reflection in the mirror could never condone. Further, the novel reflects a father who has lost one son and perhaps another because of the war and as the story progresses, he fears he is about to lose his youngest.
Hart’s plot in part pits two men who cannot overcome their demons. One, called X is a wealthy psychopath scheduled to be executed in a few months. X uses his wealth as a vehicle to dominate a corrupt prison on the inside and through his tentacle’s certain lives on the outside. Second, Jason French, a man shattered by war and a family destroyed by the same war who does not recognize how deep his emotional issues are and how to obtain help. While imprisoned Jason was manipulated by X and did something to him that wants revenge against him and his family. He will arrange a murder that implicates Jason resulting in his return to prison and the control that X fosters. Gibby believes his brother has been abandoned and tries to locate the killer and in doing so becomes caught in X’s web that caused the death of another woman that is linked to Gibby.
Hart has a very tight conversational writing style that allows him to tell the story mostly through Gibby as narrator. He has the ability to drill down into the core of each character presenting their flaws and upside. He knows exactly when to shift the focus from one character to another as the thriller evolves and allows his plot to play out maintaining a sharp focus on keeping the reader glued to the written page. If I were to compare Hart’s work with another author, Pat Conroy comes to mind, but without the inherent southern prose as well as the intensity of Greg Iles. Further, he has been compared to John Grisham and Scott Turow but for me he has taken the genre of crime fiction to a new level. In the end the best way to describe John Hart’s writing is that he is a master storyteller.